Planning to Melodic Activities in the Channel Framework

Abstract

In this paper we examine parts of our work in creating execution frameworks that are outfitted towards human machine co-execution with a specific accentuation on ad lib. We present one specific framework, Channel, which was made with regards to a bigger venture connected with computerized reasoning and execution, and has been tried with regards to our electro-acoustic execution triplet. We examine how this timbrally rich and profoundly nonidiomatic melodic setting has tested the plan of the framework, with specific accentuation on the planning of machine listening boundaries to more elevated level ways of behaving of the framework so that immediacy and imagination are supported while keeping a feeling of novel exchange.